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Official Reggae Royalty Sir Coxsone Sound System - Dubplate Showcase Mix
Lloyd Coxsone & Father Festus Celebrating 50 years when they started Sir Coxsone Outernational. This Exclusive content contains Lloyd Coxsone & father Festus YouTube Studios playing vintage Dubplates and also dropping a few 2016 Exclusives.
Sir Coxsone Outernational has long been an important part of Britain’s sound system culture.
In its heyday of the 70s and 80s, the sound retained an insurmountable edge, thanks to the unbeatable tag-team of proprietor Lloydie Coxsone and his star selector, Festus, and an ever-changing crew of supporting members that kept the sound perpetually fresh and innovative. With an endless supply of superior dubplates sourced from top producers in Jamaica, augmented by some of their own productions cut with high-ranking music makers in the UK, Sir Coxsone was undeniably top of Britain’s sound system circuit. Their superior selection and the manner in which they presented it to the public gave Coxsone the kind of credibility that most other sounds were never able to achieve, leading to longstanding residencies at nightclubs in the fashionable West End.
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Official Foundation Reggae Rub A Dub Essentials Music Mix
Dedicated to my Father: Papa Sinclair 🔊 🎶 🇯🇲
Foundation Reggae Rub A Dub Essentials features many great artists such as RANKING TREVOR, JOHNNY OSBOURNE, HORACE ANDY, SUGAR MINOTT, RINGO, JAH THOMAS, DENNIS BROWN, MICHAEL PALMER, plus many more...
Reggae music has been a 'major' passion in my life and just wanted to share some of my favourite music with you, So turn up the bass and take in the vibes & DONT FORGET TO SUBSCRIBE
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Official Reggae Royalty Sanchez D & Garnett Silk Live in Jamaica 1993
Sanchez D is a well-known reggae singer of covers—songs first recorded by other artists, often in other styles, including pop, country, and hip-hop—who has enjoyed enduring popularity despite criticism. The Encyclopedia of Popular Music revealed that Sanchez has been “critically dismissed as a cover-singing fad whose own lyrics were slight,” but that he has proven himself as a serious songwriter with such hits as “South Africa.” And while some reviewers have suggested that his singing abilities are limited, others have praised his distinctive, mellow voice. For a decade and a half, and on more than 20 albums of his own as well as those of others, his voice has leant a romantic dimension to reggae music, adapting with the genre as it has changed over the years.
Born Kevin Anthony Jackson on November 28, 1967, Sanchez began his singing career in church, then later moved into secular music. He was just six when he first sang at the church his parents attended in St. Catherine. At age 11 he was in the Sunday school choir of Rehoboth Apostolic Church, and by age 13 he was singing leads and conducting the junior choir and later the senior choir. Jackson’s taste in music changed after meeting new friends at St. Andrew Technical High School. They went to parties where sound systems—which were comprised of a deejay (or selector), music, sound equipment, technicians, Manágers, and supporters—played. Jackson discovered an affinity for the music he heard there, and he gradually replaced singing in the church choir with performing at parties.
Garnett Silk of the most exciting young talents to arise out of the '80s dancehall scene, Garnett Silk began his career as a child toaster, but ended it as one of Jamaica's most astonishing singers; with a rich and emotive voice, he took the nation by storm. He seemed destined for international stardom when his career was cut cruelly short by his death in 1996.
Born Garnett Damoin Smith in Jamaica's Manchester parish on April 2, 1966, the young DJ-to-be, had decided on his career choice as a small child. Encouraged by family and friends, Silk first took the stage at the Soul Remembrance sound system at the tender age of 12, under the moniker Little Bimbo. The tiny toaster so impressed the audience that he swiftly began DJ'ing regularly, first at Soul Remembrance, and then as the decade turned, at Pepper's Disco, Stereophonic, and then Destiny Outernational. It was at this latter sound system where the teen first met Tony Rebel, another Manchester native. Rebel was making a name for himself as a cultural toaster and went on to become a major influence on the dancehall scene, and on Little Bimbo himself. The DJ was still in his teens when he cut his first song, 1985's "Ram Dance Master"; he may have recorded others, but none have yet surfaced. It was another two years before Little Bimbo's debut single, "Problems Everywhere," appeared. Cut with producer Delroy Collins, the posthumous Journey album features not just a single, but an album's worth of material recorded by the two at this time.
Garnett Silk Meets the Conquering LionIn 1987, Little Bimbo linked up with Sugar Minott and recorded the "No Disrespect" single for the older man's Youth Promotion label. Coincidentally, Tony Rebel was at this time the star DJ for Minott's Youth Promotion sound system, and he and Little Bimbo immediately hooked back up. The pair began performing as a duo around the sound systems to much acclaim. The Garnett Silk Meets the Conquering Lion: A Dub Plate Selection album dates from about this time and features a clutch of exclusive recordings the DJ cut for the sound system from the mid-'80s through the end of the decade. Rebel, a Rastafari, eventually converted Little Bimbo to his religion with the help of dub poet Yasus Afari, a close friend of both DJs. If Rebel had a massive impact on Silk's religious beliefs and toasting themes, Derrick Morgan would have had an equal impact on his career.
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Official Reggae Royalty Dennis Brown Birthday Bash ft Jr Reid & Yami Bolo Live & Direct 1997
One of Jamaica's most beloved and prolific artists, the late Dennis Brown has left behind a slew of classic songs and myriad hits, a rich musical legacy born of a career that spanned over 30 years. Born Dennis Emmanuel Brown in Kingston, Jamaica, in 1957, his childhood home virtually destined him for a future in the music industry. He grew up on Orange Street, the heart of the island's music scene, with most of the major recording studios a mere stone's throw away. As the stars and future hitmakers paraded by day and music pumped out of the studios, the child could not help but be entranced. It was truly serendipitous that Brown himself had a voice that would set the studios ablaze. It didn't take long for the producers to discover his talent and by the time he was 11, the youngster had a first hit to his name, with a cover of the Impressions' "No Man Is an Island." It was the beginning of a successful, but not exclusive, partnership (Brown also scored with "If I Had the World" for producer Prince Buster). However, Dodd was responsible for Brown's debut album, 1970's No Man Is an Island, and its follow-up the next year, If I Follow My Heart.
Junior Reid found himself in a difficult spot when he joined Black Uhuru in 1986. He replaced Michael Rose, who had become quite popular as a longtime Uhuru contributor. Though essentially a good vocalist, Reid's style was so close to Rose's that he didn't establish his own identity. The group also suffered compositional difficulties and personal crises during Reid's tenure. Puma Jones left and was replaced by Olafunke. They also didn't always get quality material or support from Sly and Robbie during this period. Reid departed in 1990 and began struggling as a solo artist to fulfil his considerable potential, with releases like 1991's Long Road, 1993's Big Timer, and 1996's Listen to the Voices.
International star Yami Bolo has been recording and performing "Jah-centered" cultural reggae since the 1980s. Bolo believes that he has been divinely called to make himself and his entourage revolutionary soldiers of the Almighty on a mission to spread their message of love, peace, and hope to the entire world with their performances and recordings. He is particularly interested in uplifting the youth songs that warn against violence such as "Gun War." Born Rolando McLean, Yami Bolo's earliest musical influence was church music; he began performing at age 11. He got his big chance when he hooked up with Sugar Minott and his Youth Promotion organization.
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