Stereo Vibes Sound System ft Buju Banton, Tony Rebel, Grinds Man, Wayne Wonder 1991
Buju Banton was born Mark Anthony Myrie on July 15, 1973, in the Kingston slum of Salt Lane. Buju was his childhood nickname, a word for breadfruit that was often applied to chubby children; he would later adopt Banton in tribute to one of his earliest musical influences, Burro Banton. He was one of 15 children; his mother was a street vendor, and he was directly descended from the colonial-era freedom fighters known as the Maroons. Banton first tried his hand at DJing and toasting at age 13, performing with local sound systems. He made his first recording not long after, with the 1986 Robert Ffrench-produced single "The Ruler." He continued to record through 1987, then took some time off to allow his voice to mature. Banton returned in the early '90s with a rough growl comparable to that of Shabba Ranks.
In 1991, he began recording for Donovan Germain's Penthouse label, often teaming with engineer/producer/songwriter Dave "Rude Boy" Kelly. Debuting for the label with "Man Fi Dead," his first major hit was "Love Mi Browning," an ode to light-skinned women that drew the ire of Jamaica's sizable darker-skinned population. As penance, he released a follow-up single called "Love Black Woman," but he courted even more controversy with "Boom Bye Bye," a notoriously homophobic track that seemingly advocated violence against gays. Other hits of the period included "Batty Rider," "Bogle," and "Women Nuh Fret," among many others; in fact, 1992 saw Banton break Marley's record for the most number-one singles in one year. His debut album, Mr. Mention, was a smash hit that year as well, and he signed an international major-label deal with Mercury.
Tony Rebel sings a peaceful, roots-oriented form of dancehall music designed to inspire his audience to take a more positive approach to life and social change. Born Patrick Barrett, Rebel is a Rastafarian, but rather than simply creating serious, philosophical tunes, he infuses his music with a lighthearted, liberal-leaning dose of humour. Prior to becoming a recording artist in the 1990s, he spent 14 years playing the local dancehall circuit. Examples of his uplifting approach to dancehall can be heard on his 1993 album Vibes of Time; other releases include 1998's If Jah.
Born in Franklin Town, a small village near Rae Town in eastern Jamaica, Wonder has been singing most of his life. His mother sang with the choir at the Galilee Gospel Church. Writing his first songs at the age of 13, Wonder launched his career when he accepted an invitation to perform every Wednesday night at Metro Media in Allman Town. Although he impressed Sly Dunbar during an audition at Sonic Sounds, Dunbar's commitment to touring with Black Uhuru prevented him from signing the young singer.
The turning point in Wonder's career came when he met influential producer and record company owner King Tubby. Under Tubby's direction, he recorded his first single, "Long and Lasting Love," in 1985. Tubby's premature death shortly afterwards put a damper on Wonder's success. He recalled in a late-'90s interview, "In my bed one morning, I heard the news that they shot him in his yard. An' my head mash up 'cause this was the first producer who embrace me and decide to work with me."
Although he recorded a few more singles with other producers at Sonic Sounds, Wonder continued to falter. Things began to improve after reconnecting with Dave Kelly, a primary-school friend who had become a much-respected recording engineer. Working together, Wonder and Kelly produced a long series of hit singles, including original songs such as "Saddest Day," "Talk About," "Live and Learn," "Excess Amount," "Glamour Girl," "Sweet and Sour," "Bashment Girl," "Rainbow," "Searching Dem Searching," and "Warm Jamaican Christmas" -- and covers of American pop tunes ("Fast Car" and "Anything for You".
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